The Empire State building, built in 1894, was designed by renowned architect Howard Roark and has become a symbol of New York City.
Its soaring towers, a monument to the city’s early industrial era, are a testament to the power of the city.
But what if the buildings weren’t designed by Roark?
What if they were, in fact, designed by someone else?
That’s the question posed in this new book, by architecture professor James F. Wirtz, a former director of the New York Institute of Architects, and published by the University of Michigan Press.
In it, Wirts attempts to answer this question in his new book The Empire: New York’s Great City, 1800-1936.
Wurtz, who has taught architecture at Columbia University, is the author of the 2014 book Empire City, a study of the history of New Yorks great cities.
For his book, Wurts interviewed many prominent New York architecture critics.
The result is a compelling and informative history of the building that will leave many architectural historians speechless.
He also discusses the legacy of the Empire State and the legacy that the city continues to have in architecture and design.
For example, while many critics focus on the Empire’s architectural marvels, Wuntz says that the building was designed for people like him, the unemployed and immigrants who lived in the city, and those who had no choice but to stay at home.
Wuntes book includes many photographs and essays, including one that shows the Empire state building at its height in 1874.
It was an iconic building in New York in the 19th century, with a grand dome that was so tall that it was visible to people in the street.
Its iconic spire is now the headquarters of the United States Capitol.
This building, Wintz writes, “was not designed for any other purpose but to serve as a symbol to the people of New England, and was also a symbol for a country that had not yet fully grasped its industrial future.
This is a vision of New Yorkers aspired to and a vision that was a testament of the American dream.”
The Empire’s popularity and importance in New Yorkers life grew as its construction began, Wiltz writes.
The building was one of the most famous buildings in the world, and it attracted visitors and locals alike.
When the Empire was completed, it was one, if not the most prominent building in the nation.
Its towering towers stood tall, a testament both to the quality of its materials and to the ambition of its architects.
It’s also the largest building in America, at almost 3,500 feet.
“If the Empire had not been a monument of the rise of the urban city, it would not have been so well known,” Wurtys book reads.
“The Empire is a symbol that New York is a great city of great people and the great city can’t exist without its great people.
New York has long been the most celebrated city in the United State.
It is an enduring symbol of the promise of the future.”
The book was published in the spring of 2018, after a two-year research project.
The Empire is the story of how and why New York developed into a great place to live, work, and play.
The book also includes essays by several other prominent architects, as well as writers, artists, historians, and others.
The project was part of the Architecture and Planning Institute of New Mexico, and the book was edited by the New Mexico School of Architecture and the School of Urban Studies at the University.
In the acknowledgements, Wustz writes: “The book, and this book, was written by an architect who has studied and documented the architecture of New Rochelle, N.Y., for the past 10 years.
It will have a profound impact on the future of New Urbanism.” “
This book is the culmination of my research and writing on the history and future of the architectural heritage of New New York.
It will have a profound impact on the future of New Urbanism.”
Wurt is an architecture professor at the New School for Social Research and is the co-author of the forthcoming book, New York: Its History, Its Architecture, Its City.